Resamples to 44.1, 48, 88.2, 96 or 192 kHz — the five target rates the selector offers.
Library
Reading your local library…
Sample Rate Converter.
Drag & drop files or folders
or click to browse
Real client-side encoded formats
Smart DJ File Renamer.
Deterministic batch renamer for DJ library tracks based on metadata tags and audio analysis.
Load audio files, folders or playlists
Inspect metadata tags, detect messy names, and batch rename automatically or with manual inline edits.
Drop your audio tracks here or click to browse
Lossless (WAV, FLAC, AIFF) and Lossy (MP3, AAC, M4A) · Local Processing Only
Duplicate Detector & Safe Archiving.
Identify identical and alternate quality duplicate tracks in your collection.
Drag & drop files or folders
or click to browse
Detect exact duplicates (SHA-256) and acoustic matches with quality recommendations
←Home
DJ Database & Playlist Converter.
Convert Rekordbox, Traktor, VirtualDJ and Serato collections 100% locally.
Need to convert a USB flash drive in-place without duplicating audio?
Use DJ USB Converter In-Place →Source Library
or click to browse
Supports Rekordbox .xml, Traktor .nml, and VirtualDJ .xml
←Home
DJ USB Converter.
Transmute DJ USB drives between Pioneer, Denon Engine OS and Serato in-place without copying or duplicating audio files.
Looking to convert desktop collection files (.xml, .nml, .crate, .sql)?
DJ Library ConverterIntegrity Guarantee & Safe Backups
- Zero audio bytes duplicated: MP3, WAV, AIFF and FLAC files remain untouched in their original locations on the drive.
- Automatic pre-write backup: Before any database file is updated, an exact copy is verified and saved to Deckmatics Backups.
- Explicit access: The browser requests read/write permissions only when you explicitly click the button below.
DJ USB Storage Media
Transmutes existing DJ USB drives in-place without copying or duplicating audio files.
Connect or select your USB drive to inspect its DJ topology.
Pioneer, Engine Library and _Serato_ folders will be checked to provide cross-compatibility without touching your audio tracks.
Multitrack Editor.
BAR1.1.1
TIME00:00.000
BPM
SIG4/4
Snap
Grid
TRACKS (2)
1(0:00)
2
3
4
5
6
7
8
9(0:16)
10
11
12
13
14
15
16
17(0:32)
18
19
20
21
22
23
24
25(0:48)
26
27
28
29
30
31
32
33(1:04)
34
35
36
37
38
39
40
41(1:20)
42
43
44
45
46
47
48
49(1:36)
50
51
52
53
54
55
56
57(1:52)
58
59
60
61
62
63
64
65(2:08)
66
67
68
69
70
71
72
73(2:24)
74
75
76
77
78
79
80
81(2:40)
82
83
84
85
86
87
88
89(2:56)
90
Track 1
PanC
Volume-3.0 dB
Track 2
PanC
Volume-3.0 dB
MMASTER
BUSPanC
Volume0.0 dB
MASTER OUTPUT BUS|0.0 dB
Empty Project Session
Drag and drop audio files here or use the buttons below to import tracks.
Audio Editor.
Drag & drop files or folders
or click to browse
Studio Audio Recorder.
High-fidelity audio recording for microphones, DJ USB sound cards or system audio with peak and RMS metering
IDLE
00:00.000
PEAK VUMETER
L
-inf
0 dB-3-6-12-18-24-36-48-60 dB
R
-inf
48.0 kHz · 24-bit PCM
Sample Rate Converter Online
Sample Rate Converter Online
Resample audio to a supported target sample rate without implying hardware compatibility that the tool does not validate.
Supported formats: 44.1 kHz 48 kHz 88.2 kHz 96 kHz 192 kHz
What this tool actually does
Resample audio to a supported target sample rate without implying hardware compatibility that the tool does not validate.
Resampling runs through the browser’s OfflineAudioContext, with linear interpolation as the fallback when that context is missing.
It writes 24-bit WAV, AIFF or LAME MP3 — the three containers this build really encodes.
The file is decoded and encoded on your own machine and comes back as a local download — the audio never leaves the browser.
Real-world use cases
What people actually solve with this converter before they play live.
Prepare tracks before a DJ set.
Fix or process files without opening a full DAW.
Keep the workflow focused on the specific task instead of a general-purpose editor.
Recommended Academy guides
Sample rate, bit depth, codecs and booth errors explained with rigour.
Formats & Codecs · ES
Digital Audio for DJs: Sample Rate, Bit Depth, Nyquist and Aliasing
Sampling, quantisation, aliasing and Nyquist explained for DJs: why 44.1 kHz / 16-bit is the standard and what happens when you change rate or depth.
Read guide (ES)
Lossless Verification
Fake Transcodes: How to Detect Counterfeit MP3 320 and Upsampled FLAC
Why converting 128 kbps audio to WAV or FLAC never restores lost frequencies, and how to spot phantom cutoffs on a spectrogram.
Read guide
Related tools
Complementary utilities to finish preparing your tracks.