Skip to main content
Vinyl and turntablism
Deckmatics Academy article cover: Crossfader Setup for Scratch and Turntablism: Cut-in, Cut Curve, Hamster Mode and Maintenance
Credits: Deckmatics

Deckmatics

Deckmatics vector SVG generated on this page.

Deckmatics Academy article cover: Crossfader Setup for Scratch and Turntablism: Cut-in, Cut Curve, Hamster Mode and Maintenance
Turntablism, vinyl, DVS, scratch, pitch control and turntable maintenance · Intermediate · 3 min read

Crossfader Setup for Scratch and Turntablism: Cut-in, Cut Curve, Hamster Mode and Maintenance

Learn how to set the crossfader cut curve, reduce the physical cut-in distance, use Hamster mode and maintain magnetic or optical faders.

Crossfader Setup for Scratch and Turntablism: Cut-in, Cut Curve, Hamster Mode and Maintenance

The crossfader is the main tool for switching and articulating sound in turntablism. Unlike standard club mixing, where the aim is smooth, gradual transitions, in scratching the crossfader acts as a high-speed analogue or digital switch, opening and closing the audio path within fractions of a millimetre.


1. Setting the Cut Curve (Crossfader Curve Control)

DJ mixers have a switch or potentiometer for adjusting the curve:

Soft Curve  (Smooth / Mixing):    [ Chan. A \_______/ Chan. B ] (X-Fade gradual for club use)
Sharp Curve  (Sharp / Cut):      [ Chan. A |_______| Chan. B ] (Instant cut within   < 1 mm)
  • Mixing Curve (Logarithmic/Linear): The volume attenuates progressively across the 45 mm travel.
  • Scratch Curve (Sharp Cut): Volume moves from 0% to 100% amplitude within the first millimetre of movement from the physical stop. Throughout the centre of the travel, the channel remains fully open.

2. Reducing Cut-in Distance (Cut-in Distance / Lag Adjustment)

Lag, or cut-in distance, is the dead travel of the fader cap from the metal chassis to the precise moment when the circuit activates the sound.

Digital Adjustment through Hardware / Software

Modern mixers, including the Pioneer DJM-S11, Rane Seventy-Two and Reloop Elite, allow cut-in calibration from the internal menu with 0.1 mm precision.

Physical Modification (Lag Spacers / Credit Card Mod)

On traditional analogue faders without menu-based calibration, DJs place small silicone washers or graduated plastic strips, known as credit card spacers, on the physical stop rails. These move the metal stop right up to the edge where the sensor switches.


3. Hamster Mode (Fader Reverse) and Channel Assignment

The term Hamster Mode, popularised by the Pickel Brothers and DJ Quest, refers to reversing the fader’s logical polarity:

  • Normal Mode: Sliding the cap to the LEFT opens the Left Deck.
  • Hamster Mode: Sliding the cap to the LEFT opens the RIGHT Deck.

Why Use Hamster Mode?

When you scratch with your right hand on the record and your left hand on the fader, the natural movement of tapping or flicking the cap with your fingers pushes it outwards, towards the hand on the record. Hamster mode turns this closing push into a burst that opens the channel, allowing Crabs and Flares with less muscular fatigue.


4. Fader Architecture: Mechanical vs Magnetic vs Optical

TechnologyPrincipleAdvantagesDisadvantages
Carbon Track (VCA)Mechanical contact between copper brushes and a carbon substrate.Inexpensive and found in entry-level equipment.Rapid wear, scratchy noise and a tendency to accumulate dirt.
Optical (innoFADER / mini innoFADER)An internal shutter blocks an infrared light beam.No physical contact, ultra-fast operation and fully adjustable cut-in.Requires clean power and voltage recalibration when changing mixers.
Magnetic (Magvel Pro / Rane Mag Forty)Permanent magnets and Hall sensors measure the magnetic field.Indestructible, with low-friction sliding on steel rails.Relatively greater mechanical weight, depending on the chassis.

5. Preventive Cleaning and Lubrication Procedure

  1. Removing the Faceplate: Disconnect the equipment from mains power and remove the knobs and screws from the top plate.
  2. Removing Dust: Apply dry compressed air from a short distance to blow away vinyl debris or dust accumulated on the steel rails.
  3. Cleaning with Isopropanol: Run a cotton bud soaked in 99% isopropyl alcohol along the twin guide rails to remove dirty grease or oxidised deposits.
  4. Precision Lubrication: Apply a single drop of specialised potentiometer lubricant, such as Caig DeoxIT FaderLube F5, to each rail. Slide the fader from end to end 20 times to redistribute the protective anti-friction film.
SOURCE CDJ / WAV / Phono GAIN Trim / Gain Staging EQ & FILTERS Hi / Mid / Low / HPF MIX Fader / Bus Sum PA OUTPUT Balanced XLR Booth signal flow: Preserving headroom and phase response
Crossfader Setup for Scratch and Turntablism: Cut-in, Cut Curve, Hamster Mode and Maintenance Illustration of an audio signal chain — Crossfader Setup for Scratch and Turntablism: Cut-in, Cut Curve, Hamster Mode and Maintenance

Illustration of an audio signal chain — Crossfader Setup for Scratch and Turntablism: Cut-in, Cut Curve, Hamster Mode and Maintenance

Credits: Deckmatics

Deckmatics

Deckmatics vector SVG generated on this page.

Frequently asked questions

What is cut-in distance, and why should it be as short as possible for scratching?

Cut-in distance is the physical travel, in millimetres, required to move the fader away from the edge of the chassis until the audio signal switches to 100% volume. For scratching, a cut-in of 1 mm to 2 mm, or even less than a millimetre, is vital for performing rapid techniques such as Flares or Crabs without losing time to mechanical movement.

Why do many turntablists prefer Hamster mode, or Fader Reverse?

Hamster mode reverses the crossfader's channel assignment. Moving the fader towards the hand on the record opens that turntable's channel, allowing you to push the cap with your fingers rather than pull it. This makes fast finger flicks easier in techniques such as Crab and Chirp.

What advantages do magnetic or optical faders offer over analogue carbon-track faders?

Magnetic faders, such as Rane Mag Three or Pioneer Magvel Pro, and optical faders, such as Audio Innovate innoFADER, detect position using Hall-effect sensors or photoelectric cells without abrasive mechanical contact. This eliminates scratchy noise and track wear, and provides a service life of millions of cycles.

How should high-end faders be cleaned and lubricated?

Do not use generic degreasing cleaners such as WD-40. Remove metal dust or dirt with purified isopropanol or compressed air, then apply a fluorinated synthetic lubricant specifically for precision faders, such as Caig DeoxIT FaderLube F5 or DeoxIT Shield.

Continue learning

Next lessonBeat Juggling and Advanced Turntablism: Rearranging Rhythms, Manual Loops, Battle Breaks and Routines

Master beat juggling: strobing, phasing, manual looping between two records, using battle breaks and designing competition routines.

Sources

  1. Audio Innovate innoFADER PNP3 Technical Calibration & Cut-In Adjustment Manual Official documentation Audio Innovate · accessed on

    Adjustment of internal cut-in calibration potentiometers and resistance profiles.

  2. Pioneer DJM-S11 / DJM-S7 Service Manual — Magvel Fader Pro Maintenance & Lag Adjustment Official documentation AlphaTheta / Pioneer DJ · accessed on

    Adjustment of the Feeling Adjust potentiometer and cut-in stop washers.

  3. Rane SEVENTY-TWO MKII Operator Manual — Dual Mag Forty Fader & Reverse Controls Official documentation Rane Commercial · accessed on

    Adjustment of mechanical sliding tension and digital DSP curves.

Last technical review: 29/09/2026. Please report any errors so they can be corrected.